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January 14, 2020


A Hundred Soldiers Somersaulting

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Film Premiere:

14, January 2020

7:00 PM Doors Open

7:30 PM Doors Close (Limited Seating)

8:30 PM Film Ends


Wednesday 15, January 2020

The Film will screen every hour from 10:00 AM - 6:00 PM

This film is the result of four years of research looking into the history of Kuwait from 1961 until the present. It attempts to draw a messy and complex narrative into focus using existing archival footage. In doing so, it raises questions on whether a consistently threatened nation should focus on peaceful diplomatic efforts, strengthen its military, or both.

Aseel AlYaqoub (b.1986) was born and raised in Kuwait. She studied at the AA School of Architecture (London) and graduated from Chelsea College of Art and Design with a BA in Interior and Spatial Design (London, 2009). After 4-years in the architecture industry, AlYaqoub pursued a Master in Fine Arts from Pratt Institute, specialising in sculpture (New York, 2015).

Her work is an inspection of the past and how it emerges into the present. Being born before the Gulf War and having experienced the Iraqi invasion as a child, AlYaqoub became fascinated with the rhetoric of a better time, specifically Kuwaits 'Golden Era' (circa 1950-1980) and pre-oil Kuwait. She uses nostalgia as an instrument for critical thought rather than the longing for the past that, in turn, allows her to investigate the invention and reinvention of heritage and tradition. After witnessing the deconstruction of the past's more liberal ideology and modern era, AlYaqoub became fascinated with Kuwait's chronicle as a nation-state. She uses her national identity as a case study for universal national structures in order to understand how and why national narratives transform. Using the names on her passport as a timeline for research, AlYaqoub jumps between different generations ranging from her great-grandfather (late 19th century) to her present.

The improvisational lines that make Kuwait's borders today ensued the rapid commencement of nation-building. Having a very short history as a nation-state, the hegemonic forces began to quickly infuse national and patriotic discourses into its narrative. Through rigorous investigation, AlYaqoub is gradually aligning her nation's historical markers and current pillars to present the propagated narratives that dramatise and fictionalise national identities.

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